| How to... Make a plaster mold. |
| The following useful guide to ceramic mold making
is being reprinted with the permission of its author, Anthony D. Bulone,
a renowned sculptor, designer, model maker and master mold maker for
more than 35 years. Anthony of Solvang, as he is known, has excelled
in most areas of the plastic and ceramic fields. His most notable
accomplishments are the designing, sculpting and developing the model
of the original Barbie Doll for Mattel 25 years ago and designing
the first all plastic hobby kits for Revell, Inc. 30 years ago. A
glossary and instructions for making casting boards follow. |
| Materials Necessary: |
Tools Necessary: |
- Model
- Modeling Clay
Water base such as WED or #10.
- Plaster
USG No.1 Pottery
- Orange Shellac
For sealing clay and other porous objects.
- Parting Agent
Tincture of Mold Soap or Purelube.
- Baby Powder or Talc
For dusting prior to applying parting agent.
- Denatured Alcohol
For cleaning shellac brushes and thinning down shellac.
|
|
- Wood/Wire Tool
- Wood Sculpturing Tool
- Metal Spatula or Knife
- Casting Boards (4)
- Work Board
- "C" Clamps (4)
- 3" Putty Knife
- Screwdriver
- Hammer
- Rubber Mallet
- Round File (coarse)
- Ruler or Yardstick
- Metal Spatula or Knife
|
- Assorted Brushes
- Scale (0-60 lbs.)
- Metal Square
- Wooden Wedges
- Drill Motor, 1750-2400 rpm
(shaft with 3" rubber disc) or Large Enamel Spoon
- Scooper
- 5 Gallon Plastic Container
- 1 Gallon Plastic Jar
- Stainless Steel Scraper
- Rubber Bands (banding)
|
|
Procedure:
Models made of clay, wood or plaster must be coated with 2 or 3 layers
of thinned down orange shellac. |
Step 1: First you must study the object from which
you are to make the mold, to establish the Parting Line. Draw a line
on the object with a dye-marking felt tip pen. |
|
|
Step 2: Place the object on your Work Board so your
parting line is somewhat parallel to your work surface. Proceed to
Clay-Up with water base modeling clay around the object to your parting
line, extend out for one inch from the widest points. |
|
Step 3: When clay is all in place, smooth and leather
hard, square off clay as shown. Using a soft brush, apply two thin
coats of Orange Shellac over the object and the top surface of the
clay parting line. After 15-20 minutes, apply talcum powder, dusting
lightly. |
|
|
Step 4: Apply Parting Agent with a soft brush covering
the entire surface. Dry your brush and pick up all excess Parting
Agent, leaving a very slick surface on the object and parting line
clay. |
|
Step 5: Prepare your casting boards, wiping each
with Parting Agent on front surface and edges. Assemble as shown with
"C" Clamps. With wooden tool, seal edges where clay parting
line meets the insides of the board as shown. |
|
|
Step 6: READY FOR CASTING. For the size of the object
shown in these drawings and the apparent bulk of parting line around
the model, we will use the following proportions: With your 1 gallon
plastic jar, weigh out 1 1/2 lbs. of No.1 Pottery Plaster |
|
Step 7: Let the plaster soak for 3-5 minutes, then
mix with your Drill Motor Mixer. Mix for about 1 1/2 minutes, then
pour over boxed pattern. Plaster should cover at least 1 inch
over the highest point on the Model. |
|
|
Step 8: After 20 minutes, take casting boards apart,
scrape off top of plaster and bevel the edges slightly. Grasp opposite
sides of the plaster/clay mold and gently twist to loosen clay from
the work board as shown. Turn mold over and proceed to lift off clay
from model and plaster half of the mold. |
|
Step 9: If orange shellac transfers to plaster half,
clean with alcohol. Clean all clay particles from the mold surface.
Now is the time to carve Keys into the plaster parting line. You can
make Keys several ways - round end of large spatula, a coin (nickel
or quarter). |
|
|
Step 10: Prepare your casting boards again, dust
the model and parting line area with talcum, brush on parting agent
as in Step 4. Assemble the boards as in Step 5 with "C"
Clamps and repeat Steps 6 and 7 for casting the second half of the
mold. Let the plaster set for 1/2 hour, remove the casting boards,
scrape top of the mold, bevel the edge and corners. |
|
Step 11: Now you are ready to open the mold. Scrape
off any plaster that may have run down the side of the first half
of the mold. Using a flat end screwdriver or a wooden wedge, insert
it at the parting line; tap it gently with the hammer. As soon as
the mold starts to part, turn the mold over and repeat the process.
When the mold is loose, grasp each half and gently pry apart. |
|
|
Step 12: The model will usually stay in half of the
mold. At this point, how accurate you were with your parting line,
what material your model was made of , and how hard or soft that material
was, will dictate how easy or hard it will be to get the model out
of the half plaster mold. |
|
Step 13:
If the model was made of clay, you can ease it out by using the screwdriver.
But if you have to do any prying like a lever, place a flat piece
of wood under your screwdriver so you won't chip the plaster mold.
If your model is made of metal, glass or ceramic, you might have to
use other means, such as air pressure or tapping all around the model
with a rubber mallet. In some cases, I have chipped out the model
thus destroying it. But keep in mind, that at this point the mold
is the main object because a good, usable mold can reproduce 50 to
150 objects. |
|
Step 14:
With both halves now clean of any particles, we now determine where
to carve in your Pour Hole. It can be in one half or in both halves
as shown. Bevel the outer edge of the parting line on both halves
and bevel all outside edges of the mold. This keeps that edge from
chipping. |
|
|
Step 15: At this time, check each half of the mold
for any under-cuts that can be cut back. Let your mold dry out for
4 or 5 days depending on your weather conditions. NOW YOU HAVE A MOLD. |
Glossary of Terms:
- Clay-Up - Filling in around a model to develop
the parting line.
- Leather hard - Clay dried to consistency of
leather.
- Model - Object that is used to make a mold
over.
- Parting Agent - A material used over an object
that leaves a slick film.
- Parting Line - The line which divides your
model.
- Work Board - Board on which the model is prepared
for casting.
- Dry Brush - Wiping your brush so it will pick
up excess material from the model or mold.
- Keys - Round or oval shape depressions with
matching counterpart usually on flat section of parting line of
mold.
- Pour Hole - Carved inlet or opening in mold
to pour ceramic or porcelain slip into.
|
Making your own Casting Boards
Casting Boards are used to form a box around a clay-up object
before casting your plaster mix into it.
These drawings show two different ways to make corner angles
for clamping the boards together.
Boards can be moved in or out from each other to make a small
or large square or rectangle. Boards of varying sizes can be
made. |
 |
|