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This yunomi has been thrown using Laguna’s WC-401 B-Mix 5 Clay and Laguna’s WC-420 Redstone Clay thrown together to make the agate effect. It’s been electric fired to Cone 5 using a clear glaze on the exterior to highlight the body's striations and a studio standard white liner on the interior and rim. |
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This yunomi has been thrown using Laguna’s WC-420 Redstone Clay. It’s been fired in a neutral atmosphere in an electric kiln to Cone 6. Its surface design was created using hand-cut paper stencils and a cobalt slip rendered from tailings from Laguna’s WC-401 B-Mix 5 Clay. It has been fired using a White Liner under a White Crawling Glaze. |
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This yunomi has been thrown using Laguna’s WC-401 B-Mix 5 Clay and Laguna’s WC-420 Redstone Clay thrown together to make the agate effect. It’s been electric fired to Cone 5 using a clear glaze on the exterior to highlight the body's striations and a studio standard white liner on the interior and rim. |
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This yunomi has been thrown using Laguna’s WC-401 B-Mix 5 Clay. It’s been fired in a neutral atmosphere Cone 6 with a Blue Hare's Fur Glaze under a White Crawling Glaze with a White Liner interior and a Blue Hare's Fur rim. |
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This yunomi has been thrown using Laguna’s WC-401 B-Mix 5 Clay. It’s been electric fired in a neutral atmosphere Cone 6 with a Blue Hare's Fur Glaze under a thick White Crawling Glaze with a Clear Liner interior. |
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